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#electroacoustic

7 posts7 participants0 posts today

New #review today: "#EduardoPolonio was an important figure in the development of #ElectroacousticMusic in Spain. Beginning in 1984, in a career that spanned well over 40 years, he released ten recordings, including some collaborations, plus a half dozen compilations of his works, this double-LP compilation of his earliest #electroacoustic works from 1969 to 1981 being his latest." #ExposeOnline #ExperimentalMusic expose.org/index.php/articles/

Two current concert dates: the Rundfunkorchestra will play a short concert on April 2 as part of “Werkschau - Made in Saxony” in #Chemnitz from 2 pm. Then on April 5 as part of the Mühlheim Night 2025 at the Kunstwerk #koln (Cologne/Germany) from 10pm.

I'm looking forward to a curious audience and to my colleagues @dlikdh @luka @herr_irrtum @noisio
rundfunkorchestra.org

RundfunkorchestraRundfunkorchestraexperimental music

If you need some beatific, fauna rich ambient piano music to help shine some light through the climatic and geopolitical shadows then you should hit play" - theslowmusicmovement.org/post/

For a longer sound bath head over to the Slow Ambient Playlist:
submithub.com/link/slow-ambien

I have a feeling it’s flying under the radar, but this #podcast amounts to a pretty thorough course on #electroacoustic music. Right now he’s going country by country, playing examples of pioneering electronic music from each. But I enjoyed this episode in which he posits a cross-pollination between Stockhausen and Sun Ra.

podbean.com/ew/pb-jicsh-17294b

www.podbean.comSun Ra and Stockhausen—An Imaginary Encounter in Electronic MusicEpisode 136 Sun Ra and Stockhausen—An Imaginary Encounter in Electronic Music Playlist   Time Track Time Start Introduction –Thom Holmes 14:28 00:00 Karlheinz Stockhausen,  “Es (It)” (1969) from Aus Den Sieben Tagen (from the Seven Days) (1973 Deutsche Grammophon). Composed by, electronics (Filters, Potentiometers), spoken voice, technician (Sound Direction), liner notes, Karlheinz Stockhausen; Elektronium, Harald Bojé; Piano, Aloys Kontarsky; Drums, Percussion (Tam-tam, Flexatone, Guero, Bamboo Flute, Jew's Harp, Rolf Gehlhaar; Drums, Percussion (Tam-tam, Flexatone, Guero, Jew's Harp, Alfred Alings; Viola, Johannes G. Fritsch. The Elektronium was an electronic instrument in the form of an accordion, invented by Hohner in 1952. From the cycle of compositions entitled Aus den Sieben Tagen. Es (10th May 1968). This is the complete cycle for the work consisting of 7 albums recorded at the Georg-Moller-Haus (Loge) in Darmstadt, from the 26th to 31st August 1969. This is different than the earlier recordings from Cologne that were released separately. Comes in a sturdy box together with a tri-lingual 20-page booklet. Each record is packed in its own cover. 23:04 14:30 Sun-Ra and his Astro Infinity Arkestra, “Space Probe” (1969) from My Brother The Wind Vol. 1 (2017 Cosmic Myth Records). Moog Modular Synthesizer solo, two keyboards, Sun Ra; Moog programming and mixing, Gershon Kingsley.” Recorded at Gershon Kingsley’s New York studio before Sun Ra had acquired a prototype Minimoog from Bob Moog the following year. 17:45 37:30 Sun-Ra and his Astro Infinity Arkestra, “The Code Of Interdependence” (1969) from My Brother The Wind Vol. 1 (2017 Cosmic Myth Records). Moog Modular Synthesizer solo, two keyboards, Sun Ra; Moog programming and mixing, Gershon Kingsley; Drums, Danny Davis, John Gilmore; Oboe, Marshall Allen; Tenor Saxophone, John Gilmore. Recorded at Gershon Kingsley’s New York studio before Sun Ra had acquired a prototype Minimoog from Bob Moog the following year. 16:50 55:16   Opening background music: Sun Ra and his Solar Myth Arkestra, “Seen Three Took Four” from The Solar-Myth Approach Vol. 1 (1970 Actuel). Piano, Minimoog, Electric Organ, Clavinet, Sun Ra; Tenor Saxophone, Percussion, John Gilmore; among a huge host of others. Introduction to the podcast voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

"both in serene mood as they flirt with borderline muzak in places, maintain a suave ambient jazz vibe and touching “simple tenderness" theslowmusicmovement.org/post/

Find these two adding some mellow jazz vibes to The New Age of New Age Playlist.
submithub.com/link/new-age-of-