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#textiletuesday

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Art History Animalia<p>More <a href="https://historians.social/tags/TextileTuesday" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>TextileTuesday</span></a>:<br>“Cotton textile painted with a flounder-like <a href="https://historians.social/tags/fish" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>fish</span></a>.<br>Chancay style, Peru.”<br>[Chancay culture: c.1000-1470CE]<br>On display at @ AMNH NYC</p>
Art History Animalia<p><a href="https://historians.social/tags/TextileTuesday" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>TextileTuesday</span></a>:<br>“Border fragment of wool with a continuous band of <a href="https://historians.social/tags/hummingbirds" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>hummingbirds</span></a> and fringelike appendages representing beans. Early Nasca [Nazca, Peru, c.1-450 CE]. <a href="https://historians.social/tags/Pollination" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Pollination</span></a> of bean plants by birds may be suggested here.“<br>On display at American Museum of Natural History [41.2/6321]<br><a href="https://historians.social/tags/BirdsInArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BirdsInArt</span></a> <a href="https://historians.social/tags/AndeanArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AndeanArt</span></a> <a href="https://historians.social/tags/IndigenousArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>IndigenousArt</span></a></p>
Art History Animalia<p><a href="https://historians.social/tags/TextileTuesday" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>TextileTuesday</span></a> :<br>Textile, California Quail<br>Designed by Tony Sharrar, Manufactured by Eric Hand Prints, USA, 1952<br>Cotton, screen printed on plain weave; H 102.5 x W 122 cm (40 3/8 x 48 1/16 in.)<br>Cooper Hewitt 1953-89-1 <a href="https://collection.cooperhewitt.org/objects/18398887/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">collection.cooperhewitt.org/ob</span><span class="invisible">jects/18398887/</span></a><br><a href="https://historians.social/tags/BirdsInArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BirdsInArt</span></a></p>
Art History Animalia<p><a href="https://historians.social/tags/TextileTuesday" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>TextileTuesday</span></a> :<br>Lydia Bush-Brown (American, 1887–1984)<br>Hawaiian <a href="https://historians.social/tags/Fishes" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Fishes</span></a>, c. 1917<br>Silk hanging, H x W: 70 x 99 cm (27 9/16 x 39 in.)<br>Cooper Hewitt 1985-2-1<br><a href="https://collection.cooperhewitt.org/objects/18804971/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">collection.cooperhewitt.org/ob</span><span class="invisible">jects/18804971/</span></a><br><a href="https://historians.social/tags/WomenArtists" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WomenArtists</span></a></p>
Granny Art (Shrimp) (Joni)<p>Interior of <a href="https://vis.social/tags/quilt" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>quilt</span></a> is 3/4 quilted. Then I can do the outer borders. <a href="https://vis.social/tags/TextileTuesday" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>TextileTuesday</span></a></p>
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