veganism.social is one of the many independent Mastodon servers you can use to participate in the fediverse.
Veganism Social is a welcoming space on the internet for vegans to connect and engage with the broader decentralized social media community.

Administered by:

Server stats:

274
active users

#assemblage

1 post1 participant0 posts today

« Black Girl's Window » (1969), cadre de fenêtre en bois peint et collage de papiers imprimés découpés et objets divers, par la plasticienne Betye Saar. Artiste plutôt d’inspiration mystique, après l’assassinat de Martin Luther King Jr, le 4 avril 1968, Betye Saar introduit dans son travail des références au mouvement des droits civiques et à la question raciale. Source : MoMA.

Art can be a wonderful catalyst for emotions. I remember my little thriller box that I invented after I found the background image (more in the alt text). Given the current political situation, I immediately realise who my fictitious muffin-baking princess would fill into cans and send to Mars without return ticket. :blobcatknife: 😈

A #Dadaist #Soliloquy on #Assemblage #PerformanceInstallations

The constituted elements which these external tools manifest relations conceptualized opposed offices as art are assemblage, now upended boxes. Long-term structural differences are rearranged - When there is no clear question about the internal set box. Or that too sits or externally thanks jointly between delusions. Internal assemblage, relatively a formulation illusion. Planes can box into forms. Formulation illusion exists, that use entity in different arts after re-mixed internal offers.

Eaves seem to be a glowing render zone used in a totality deletion concept of assemblage in a way that fails to distinguish between internal and external art form relationships. They enter holes, a trend of foaming distinguish co-relationships under assembled pieces of the performance whole installation box theatre. The answer to this question is that the components of the waveform, which are collections of external objects, are blurred like birds.

Whose art is the whole way of responding to these externalities? The last hole is not visible. Autonomous performance foils from reality relationships cannot convey boxes externally or existentially. What sees internal in rather the assemblage as a hole is an empty box on an existential plane.

It’s distinguishes apart - attempted as related, through tone's totality as in relationship assemblage. Between answers fails relation articulates a wavy relation, leaves fall. Then toads between external growing in which lasting hand connection assemblages protrude art.

What distinguishes an assemblage from an entity or a totality is these elements are externally relatable to parts of art answered within segments of reality, also toads. Rather than the internal relation between elements which jointly constituted a whole art installation in a box or an office. Or at last they are a mix of internal and external relationships in an office or an assemblage cottage intake.

It’s the difference between a relation which cannot exist apart, so then, fromage installations through its connection to a whole curd, as opposed to a relatively autonomous relation that can manifest in a different art form or cottage box. Thus, it is the whole that is realized through that relationship, or like these ants in the palm of their hand, they separate the mushroom from external reality.
#Dadaism #DadaistProsePoetry #ProsePoem #WordCollagePoem #WordCollage #Art #Photography #EOS #EOS90D

Replied in thread

Tschabalala Self, “Friend Or”, 2020, fabric, acrylic and painted canvas on canvas, 213 × 183 cm ★ USA ★ pilarcorrias.com/artists/tscha #TschabalalaSelf #contemporaryart #feministart #assemblage #mixedmedia #contemporarypainting #guns #military #racialtrauma #queerart #queervibes #rhyme #нанизываниекартинок #2020s

Подбор картинок: девочка к девочке, мальчик к мальчику.