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Ms. Que Banh

#CallForArtists - must be #Indigenous & in #Canada.

Please boost this opportunity for #ArtistInResidence so those who qualify & are interested can apply.

#DARC #IndigenousResidency Program
Call for #MediaArt Applications
Deadline: June 30, 2025
Duration: October 1 – 31, 2025

What Is the DARC Indigenous Residency Program?

Presented with the support of The Hnatyshyn Foundation, DARC’s Indigenous Residency is a one-month intensive on-site artist residency, offered to mid-career #Indigenous ( #FirstNations / #Inuit & #Métis) artists who are seeking to develop their current practice, experiment with a new medium, or continue an existing project.

Artists in residence are provided with access to DARC’s facilities, including the DARC Microcinema, Soundstage, Digital Edit Suite, and Recording Studio. Artists also have access to an array of audio-visual equipment and up to 16 hours of advisor time for the duration of their residency.

Following the residency, artists are expected to participate in an artist talk to discuss their practice and share works in progress or any completed projects from their residency.

Residency Support Includes:

Artist residency fee of $2,500;
Up to $4,000 in DARC equipment and facility waivers for the duration of the residency;
Access to DARC technical consultations;
An opportunity to present your work publicly through a screening, exhibition, or artist talk;
A fee of $520 for an artist talk or presentation of your work according to current CARFAC-RAAV fee schedule;
Honorarium for parking or transit for local artists;
A fee of $1504 (CARFAC-RAAV fee schedule) for an artistic advisor of your choosing or Indigenous advisor recommended by DARC for 16 hrs of consultation;
For artists who are not based in the Ottawa – Gatineau region: Up to $1500 housing subsidy
and up to $1750 in travel expenditures;
A full festival pass to the Asinabka Film & Media Arts Festival;
Ongoing support through membership at DARC following the completion of the residency, including free access to workshops for one year.

Accessibility

DARC is an Accessible venue. All doors at DARC have accessibility buttons to press for automatic entry. DARC’s main entrance is located at 67 Nicholas Street which is fully wheelchair accessible. Elevator access is available from 9am – 11pm.

Who Can Apply?

Applications are open to Extended Access members of DARC who are seeking to expand their current practice, experiment with a new medium, or continue an existing project. Applicants who are not currently DARC members will be granted a free Extended Access membership, provided they agree to DARC’s membership agreement when applying.

How to Apply

Applications for Indigenous Residency are accepted through AMS (Arts Management System):

digitalartsresourcecentre.ca/i

To learn more, contact:
access@digitalartsresourcecentre.ca
(613) 238-7648

Digital Arts Resource Centre (formerly SAW Video) is a not-for-profit, artist-run media art centre in Ottawa, Ontario that fosters the growth and development of artists through access to equipment, training, mentorship, and programming.

67 Nicholas Street
Ottawa, ON K1N 7B9
digitalartsresourcecentre.ca

#Artists#ArtsOpportunity#ArtsCanada
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Ms. Que Banh

Beau will be facilitating the Harmony in Circle workshop during #MooseHideCampaign Day 2025. Registration is free, see the links for more info 👍

Since the Campaign began over 10 years ago along the #HighwayOfTears, thousands of communities and organizations across #Canada have held Moose Hide Campaign events and joined the annual Moose Hide Campaign Day ceremony and fast. People of all ages, genders and backgrounds are invited to take part in Moose Hide Campaign activities.

The campaign is grounded in #Indigenous ceremony and traditional ways of #learning and #healing. A cornerstone of the Moose Hide Campaign is the moose hide pin. Wearing the pin signifies your commitment to honour, respect, and protect the women and children in your life and speak out against gender-based and domestic violence. To date, over five million moose hide pins have been distributed free of charge to communities, schools, and workplaces across Canada.

moosehidecampaign.ca/register-

moosehidecampaign.ca/workshops

#NativeMastodon
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Ms. Que Banh

I have to have a serious talk with one of my Metis friends on how she needs to do a lot more decolonization work. It's due to her reaction to my annual Earth Day call for #Indigenous #LandBack. She's still very colonial indoctrinated. Her response to any landback statements is: "Every earthling needs earth and land 🌎 happy earth day."

If you still have a #colonial #mindset like this - it tells me that you need a ton more #decolonization work. Landback isn't about making sure ONLY Indigenous peoples have lands. It's about recognizing colonial land theft & the ongoing colonial genocide of Indigenous peoples by colonial capitalists. It's about respect & genuine reconciliation for Indigenous peoples. It is literally the least we can do as settlers on stolen Indigenous lands.

#DecolonizeYourMind#NativeMastodon#BeAComrade
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Ms. Que Banh

Beau sent me another update photo of the #DugoutCanoe that some students at Wellington high school in #Nanaimo are working on. It's almost all finished. Lots of sanding done & just a bit more to do.

Please support BC Indigenous artists 🙏 beauwagner.ca/coast-salish-art

He is off work from public schools this Summer & is open for #CoastSalish #ArtCommissions & cultural & native art workshop contracts.

High-angle, medium shot of a light-colored, sculpted wooden fish placed diagonally across a gray concrete surface. The fish is carved with stylized red crescent shapes along its top edge, some filled with black. It rests on wood scraps amid wood shavings, with a dark, circular storm drain and cover positioned on the right side of the frame. The composition emphasizes texture contrast between the wood grain. The wood carvings contrast against the concrete. The sculpture is partially in shadow with good lighting on the overall form.
#TraditionalNativeArt#IndigenousArt#NativeArt
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